Ladies and Gentlemen I present -Cow Grazing

It's finally up! The newsletter that I am aiding with over at the Canberra Opera Workshop or COW is finally up and ready for you dear readers to eat up, discuss and find out a little more about COW and their upcoming production The Elixr of Love.

Check it out here for the October updates;

http://www.canberraoperaworkshop.org.au/whats-on/cow-grazing-october/

And here for the November updates;

http://www.canberraoperaworkshop.org.au/whats-on/cow-grazing-november/

Whilst you are there book a ticket, or bring a party, we have a deal with Vilvaldi's restaurant that is providing a 3 course meal, and Opera tickets, for the civilised night out. Or even just to show your girlfriend that you are cultured.

Fun for all the family.

Let me know what you think.

Regards,

Dale Stam

COW Photos

The COW website is starting to develop- Besides photos of our lovely two leads, I see photos of the Chorus. I will appear soon. You know if you say my name in the mirror three times with the light turned off. That's how the Internet works right?

Check out my fellow cast members here
http://www.canberraoperaworkshop.org.au/chorus/

Also coming up on their website will be some more of my writing- similar to what is on this Blog for Livid Production and AWTC, but bite sized.

Keep your eyes peeled, and come and see our show. Tickets still available;
http://www.canberraoperaworkshop.org.au/buy-tickets-now/

We are always looking for new calfs and cows to join the herd find further information here;
http://www.canberraoperaworkshop.org.au/join-cow/

To find out further information email them at secretaryatcow.org.au

Just started Chapter 8

Just a short update.

Well, well it seems to be coming together well, and I am enjoying my coffee as I write chapters away.

I was a little worried how it would all mesh, but there was no need.

I actually see quite a few picture moments already, and we have barely begun.

Previous Posts on this topic

http://dalesnewsblog.blogspot.com/2011/10/chapter-one-complete.html

http://dalesnewsblog.blogspot.com/2010/10/writing.html,

Carbon Tax Hyperbolic worries and Reality Part Two

Well the Carbon Tax has been in for a few days now, and well not much has happened...yet. Here is part two of this series that examines the hyperbolic worries of the Carbon Tax, and how the world is actually heading towards these often weird scenarios;



2. Trees and Plants become reputable investments.

The worry:
To reduce the amount of Carbon we send up into the white moving beard of God, we can utilise Mother Nature’s great air filter; plants. Plants effectively eat CO2, or the evil carbon and burp our breathable oxygen, that all living creatures including us breathe. Makes you wonder why we killed them for allowing us to breath. Yeah, our bad.

With this magical ability identified, the big pollutants could use plants- especially trees to soak up loads of their CO2, reducing their output and their relative tax cost. However to accompany this change in business investments, would be the increased security to guard the plants. Plants will become such an investment of increasing importance to these companies, that there will be whole new companies crawling out of the woodwork, just so you can invest in plants. Consider it, they are a long term investment, which could theoretically save the company a nice chunk of money that does not need to be taxed. So it is safe to assume a stable investment that will keep growing in value. All of these characteristics point towards super funds. To accompany this will be an increase in research and development into genetically altered super CO2 eating plants. In short you heard it hear first- invest in plants.

How reality is almost there:
In the October 2010 issues of BioScience researchers from Lawrence Berkley National Laboratory and Oak Ridge National Laboratory outlined the various avenues for altering the CO2 conversion that plants undertake to pull the CO2 out of the air, release Oxygen back for us to breath, and place the Carbon into the soil, which will hopefully be left long enough to form a form that is more human useful.

Photosynthesis, or how plants turn CO2 into sugars that the plant used to feed itself and grow depends upon the plants ability to absorb light for growth and suck up CO2, so research is being undertaken to improve these processes, and therefore the associated soil carbon process explained previously. This research would also have the real world benefit of having crops which grow quicker, which could help with the starving populations of developing countries. By incremental improvements in these areas the scientists believe that a significant impact on the Global Carbon could be achievable within the next 50 years.

There are already companies where you can invest in trees and agriculture (or argribusiness) for instance the Macquarie (as in the Macquarie Bank) Forestry Investment, which gives investors the opportunity to invest in Australian plantation forests. True, its not quite the same thing, with the trees being cut down after reaching maturity (approximately 10years), with a minimum investment of $10,340 for 2011. Humans always need wood for paper and furniture, so there is usually an increase on initial capital invested and agribusiness has historically had little correlation with the stock market, a reassuring sign after the GFC. So yes, you can in fact invest in plants, sort of.


Missed Part One? You can catch up here;
http://dalesnewsblog.blogspot.com/2011/11/carbon-tax-hyperbolic-worries-and.html

Dale Stam

COW Performance

Well the COW has had its first live performance at the St Ninians Church in Lyneham, ACT.
The cast were all a little nervous, and with a new pianist they were able to provide the assembled masses with a taste from the Opera with only minor hiccups.

We thank you all that were able to attend, and now that we ourselves have had a slice, we are all looking forward to our opening night in December- book your tickets and enjoy the maiden performance at the opening night of COW's production of Exlir of Love at the ANU theatre.

Dale Stam

Carbon Tax Hyperbolic Worries and Reality

Carbon Tax Hyperbolic Worries and Reality

By Dale Stam 18/10/11

Part One


‘I don’t think we are in Kansas anymore’ Asked Dorothy, breathing rapidly after crashing her house through a giant bubble.
‘Well no little girl, you are in Oz, and I’m afraid you went and broke our bubble’ said a Munchkin quickly before taking a large breath.
‘Why do you have a bubble around the whole land?’ Inquired Dorothy.
‘Well Dorothy it seems the merry old Land of Oz has implemented a tax on Carbon to keep the technicolour bright.’

Whether you like it or not, it seems that we will be implementing a Carbon Tax, this article will focus upon 5 hyperbole worries leading from the introduction of this Tax and tie them into the reality that spanned them. Just keep in mind, it could always be worse.

1. Electricity only supplied during peak hours.
The worry:
Electricity prices are going to go up with this tax. Why? Because Australia has a lot of coal which is made up of Carbon. You can’t eat it, you can’t wear it, its surface area is minuscule so it can’t be used as shelter, you can however do two things.
A) You can draw with it. It is messy and expensive, but that is all irrelevant because it has artistic merit, or
B) You can burn it, and provide heat.
We have developed B so that it boils water, which produces steam, which turns a turbine that gives electricity.

Now during peak hours, the vast majority of people are home from work and demand electricity, so for your share during this busy period you pay a higher rate. This is the section of the bill that is the highest, because the system is under the most stress, however after this period then it will have a long rest where preparations can be undertaken. This is the most lucrative section for energy companies, they would be able to reduce the amount of coal needing to be burnt because they did not need to provide electricity during off peak, or the unimportant people hours. Also because energy companies would not need to burn our dinosaur pals to supply energy for the minority, then they would release less CO2 into the atmosphere, and thus get taxed less. At $25 per tonne companies would be looking at ways to decrease the upcoming tax debt, and if they do this they are not passing the costs onto you, the consumer. Its win-win right?

How reality is almost there:
Electricity in the form that we imagine travelling the wires, does not store all that well. It is impractical for energy companies to charge up car batteries and then distribute them to everyone for personal use, not to mention astoundingly expensive. Solution, build a giant battery, but remember when your favourite song is half way through and your MP3 player beeps off dead. Batteries do not last long, are expensive, and only return roughly 2/3rds of energy placed within. But this has not stopped Australia from researching; currently we have a few avenues;
* Super batteries - they have worked for us in the past so just keep going, but making them more efficient and cheaper.
* Superconducting Magnetic Energy Storage (SMES) devices, which would use the dual relationship of electricity and magnets to create a perpetual field. Downside, it requires energy input to keep the magnets at the required temperature (relative to the beyond freezing temperatures of liquid nitrogen) to create the high quality superconducting effects.
* Mechanical or energy conversion - such as the turning of a windmill or turbine which can then release electricity with a hypothetical flick of the switch.

All of these various avenues will eventually lead to a realistic system that can be implemented and sustained at a country wide level. Then if we can store electricity we can also choose when it is released. So what leads to more efficiency of the company to save the electricity that they will be taxed on producing because of the essential fuel to start the process, could lead to them passing on the costs to the consumer, or the more likely the increasing of costs all around that people can only afford to use electricity when they need it, which would fall usually within the peak hours. If they can release electricity whenever they want, and the eventual demand will be during peak hours, why pay to have it flowing out during off peak hours. Who uses electricity after 8pm anyway?

Stay tuned for the other parts in upcoming posts.

If you liked this article you might enjoy my other article on the Carbon Tax;
http://dalesnewsblog.blogspot.com/2011/02/carbon-tax-and-what-it-means-for-you.html

Or continue onto part two of the worry;
http://dalesnewsblog.blogspot.com/2011/11/carbon-tax-hyperbolic-worries-and_10.html

COW: Rumours around the paddock

Dear Readers,

For those of you who of course went and bought tickets to COW's inaugural production, The Exlir of Love, I have a juicy piece of gossip that you can stick your teeth into.

There is the possibility that the ANU Theatre Restaurant Vivaldi's and COW will be combining forces to create a unique theatre going experience in the Canberra Region. With an opera and an inspired 3 Course meal for a good price.

For you guys seeking a nice Seasonal get together with your significant other, this could be something that you should really start to look into.

Check their website for further information.
http://www.canberraoperaworkshop.org.au/

Also if you are in Canberra Saturday the 5th of November come down to the St Ninians Church in LyNeham. That is here guys...
http://g.co/maps/m8qr6

The COW will give their first public performance commencing at 11:30am.

Why so late? Well who said Opera is never spontaneous!

Come by and enjoy the St Ninians Fete and see some COWS moo.


Keep coming back to get further details.

Looking for more COWS;

http://dalesnewsblog.blogspot.com/2011/10/cow-up-and-mooving.html

http://dalesnewsblog.blogspot.com/2011/09/cow.html

New to Canberra check out the following;http://dalesnewsblog.blogspot.com/2011/05/garden-capital.html

Here is some information to catch you up.
Dates:
Evening: 8.00 pm Friday, 9 & Saturday, 10 December 2011.
Matinee: 2.00 pm Sunday, 11 December 2011

Ticket Prices
Adult$38.50
Youth (under 26 years) *$35.50
Child (under 17 years) *$33.50
Pensioner/Senior *$35.50
All check to see if the rumour is true- or if there are any choice cuts available.

For the booking information.http://www.canberraoperaworkshop.org.au/buy-tickets-now


Do you have any news on COW or anything that you think people should know about send me a message at dalestamatgmail.com

Plus Look we made a flyer, which you can turn into a hat, then you can sing 'Look I made a hat'.

A mention on the blog for those who can identify which musical that phrase is referring to.

Congratualtions Little One!

Well to follow up my previous comment, a brave poster by the name of Little One was skilled enough to find me within the group.

So to reward you for your detective skills, I give you the worlds greatest detective and his great advice.

Enjoy!

Dale

Chapter One Complete

You might remember a while ago this post I made http://dalesnewsblog.blogspot.com/2010/10/writing.html, well I have finished the plot outline, and have commenced the actual writing of my huge inter-connected fiction collection.

Refresher, this is a large project that brings together characters and themes from a wide range of my writings, which includes short stories, poems, films and plays, tying them all into a work of fiction that will be broad and offbeat at the same time.

For further information please send me an email.

Dale Stam

COW up and mooving

Look at that smiling group, the COW is definitely on the Moove to making a dent in the Canberra theatre scene.

Since my last post the Canberra Opera Workshop had a lunch last week where they had a professional photographer come by and take a group photo, which includes me. Yeah I actually exist. They have added this photo onto their website and it has become a lot more interactive.

We are heading into the production schedule which will involve the actual stage craft, where we are under the esteemed direction of Cate Clelland, an active director and designer within the Canberra Theatre Scene for a while know. I look forward to digging my teeth into this section of the rehearsal in preparation for our performance in December.

One of the key developments of the website is the details for tickets are available.
Location: ANU ARTS THEATRE, UNIVERSITY AVENUE, ACTON, ACT

But Dale of the blog, with your News and Ideas thing I do not know where this is. Well I consulted with the mighty demi-god Google and they have blessed us with an answer to your query, as only Google can;
http://g.co/maps/33mc8

Dates: Evening: 8.00 pm Friday, 9 & Saturday, 10 December 2011.
Matinee: 2.00 pm Sunday, 11 December 2011

Ticket Prices
Adult
$38.50
Youth (under 26 years)*
$35.50
Child (under 17 years)*
$33.50
Pensioner/Senior*
$35.50

See below for the booking information.
http://www.canberraoperaworkshop.org.au/buy-tickets-now

Find out more about COW by looking at the Website;
http://www.canberraoperaworkshop.org.au/

Remember the COW is building a community and if you are interested in developing your singing skills, or if we have a Joan Sutherland, or Pavarotti out there, COW would be a group to start making connections with.

Also keep looking at the website so you can see more of me.

Feel free to leave a comment.
If you want to send me an message email dalestamathotmail.com

Dale Stam

While here look at some past posts.

Expect a new post in the near future.

Oh and a mention on the blog for those who can identify me from that photo. Happy hunting.



Did you miss previous updates in regards to COW? Find them below;
http://dalesnewsblog.blogspot.com/2011/09/cow.html

New to Canberra check out the following;
http://dalesnewsblog.blogspot.com/2011/05/garden-capital.html

So who’s presenting?

So who’s presenting?
5 Steps to present

By Dale Stam 12/10/11


Public speaking is a scary beast that can leap out of the crisp corridors of office life, and snatch up all the confidence you built since 9am. There are various methods for defence, some people tackle the monster first, others react after it has pounced, and there are still others who run away screaming.

I have given a few public presentations, felt the stares and the rapid heartbeat, but there are some tricks to help you overcome the beast.

1. Do not be paranoid.
Truth is all those people you stare out over, they actually want you to do well. They would rather be engaged then bored, and if you are able to make a good presentation, then they will associate you with somebody who they can not only understand, but whom they want to hear from.

2. Turn on the slow-mo.
It might go against everything in your body telling you to fly when giving a presentation, but one of the major factors in bad presentations is presenters who rush into things.

Take a breather, if anybody asks, you’re doing it for dramatic tension. Actors use it to grasp audiences, and teachers do it to hold the class. The speed of the presentation varies from person to person and from your pre-run timing to the actual presentation.
Remember that control like the actor and teachers comes from the pause, let them want more- it also gives you a moment to adjust to the stress.


3. Look to the horizon.
If all those eyes staring at you start to make you quake, then adjust your gaze to a higher plane, but not too high. Rest on the fringe, or the forehead, it appears you are looking at the audience but you gain less of the side effects from direct eye contact.

Hair does not stare, hair does not judge, and it is ready to be blown over by the power of your presentation.

4. Know your stuff.
If you know what you are presenting, then you are able to ad lib, and you gain a sense of confidence that comes with knowledge. Knowledge is power, as they say. This is often a saving grace of teachers, they take a breath as in number 2 above, taking in the scene, and decide whether to follow their lesson plan, or whether it is necessary to improvise to draw the class back in.

Impromptu presentations make this difficult, however try to grasp a handful of items and flesh them out, add a story, bring what you know.

5. You have got to speak to me.
One thing the audience does not want is monotonic reading, you have to present. Most universities and schools have students who will just read their work as their oral presentations. To shine you need to be different, you need to engage with the audience, make it stick. Use examples, stories, jokes, have props, diagrams, or audience interaction.

Some full time public speakers use a theme or metaphor that runs through their presentation. This allows them a path to come back to if they get lost, and can enable a through line for remembering the information and connecting with the audience. Using this method allows them to explore various techniques of engaging the audience and have fun, and so can you because you have a support structure to lean back on.

In conclusion, the audience wants you to do well, because they have been to so many bad presentations, they will be surprised by someone who is able to overcome this. Defeating your fear might seem difficult, but with practice and experience the fear subsides, and then you are the one who pounces.

Did you enjoy this article perhaps you might enjoy the following from within this blog;

http://dalesnewsblog.blogspot.com/2010/09/introverts-problem-with-social.html

COW

Moo. Seriously moo. I do not need you to moo with me, just acknowledge it.

COW or Canberra Opera Workshop is a interesting little group that has come out of the woodwork in Australia's Capital territory to fill in a gap in the market. Sure there is musical theatre, which I have to admit is more my forte, and classical instrumental music, but lacking in the opera market.


David and Margot Reedy identified this gap and decided that they would throw their hat into the ring. Starting an opera group without Governmental art grants can be tricky, but they are pulling it off. Due in part to their different take on the auditioning process.

They advertised in local Canberra papers and the Canberra Community Theatre network website OftPrompt- congratulations to all who get that reference- Gold Star!. The advertisement stated that people were not required to audition. Shock, horror they must have been flooded with Talent Show contestents till their ears bled...well luckily not, and strangely the openess of this initial stage allowed for the group to allow for socialising and community forming, in contrast to the competitiveness I have witnessed elsewhere.

Their first performance will be the delightful comic opera The Elixir of Love by Donizetti. It will be held in the ANU Arts Centre Theatre in early December.

SPOILER! PLOT TASTE !

Little village, One slow man in love with an educated girl who enjoys the longing of the man.

She is going to marry a Sargent.

Along comes a salesman spruiking a product that will make women fall in love with him, and then let the comedy begin.

The music has a Gilbert and Sullivan like feel, and has some catchy tune with the casts voices sounding superb as they come to the end of their vocal rehearsals. You can feel the power of this company within the small church that they have been rehearsing in, and they all eagerly look forward to showing Canberra that Opera can still captivate.

Here is some information from their website.
The Canberra Opera Workshop (COW) has been formed to provide specialised training and opera performance experience for singers who are interested in opera.

Singers will follow the process from first reading, musical rehearsals, production stages, technical and dress rehearsals to the actual public performances. The workshop will also provide training work opportunities for conductors, musicians, costume and set design, construction, stage management, graphic design & publicity, stage crew and front of house.

Here is the bestest till lastest- the opera...is...(salivating yet)...in English. No more will you have to have a book of translation with you at the Opera just so you can understand what is going on. It is part of the immersive style that COW has implemented.

If you would like to find out some further information on the group, watch a rehearsal, interested in joining a future production, or want to know more about their upcoming show please use the following contacts:

Margot Reedy 0415 721 222 or e-mailing secretary@cow.org.au.
David Reedy on 62491831

Their website.
http://http://www.canberraoperaworkshop.org.au/

They are Facebook
http://www.facebook.com/pages/Canberra-Opera-Workshop/233211193361441?sk=wall

Dale Stam

Spider-Man: Turn off the Dark soundtrack review

$65 Million does not buy you what you used to. I am not going to go through the origin of Spider-Man, one because he is a pop-culture icon, and two that you would not need a huge amount of it to understand the soundtrack.

However I will give a little bit of background in regards to the show- as stated above the show is estimated to have cost roughly $65 million dollars now with an original budget of 50 million, with a production team of Julie Taymore (who you might remember as getting a lot of praise for her work in bringing Disney's Lion King's artistic direction- and who would ultimately leave the show- but retains the position of director), and first time musical composers- Bono and the Edge of U2.

The show is a mixture of musical, circus and studio experience. The musical comes through the songs, the circus through some of the quite beautiful acrobatics and stunts and the studio experience links to the interaction with the audience by having Spider-Man swing out over them, and fight a 'flying' Green Goblin. To undertake all of things within one show obviously makes this show quite different to Bloody Bloody Andrew Jackson that I reviewed before, and explores the possibilities of stage shows.

The GFC has reduced the spending on luxuries in America- perhaps we should have a more theatre/musical creating centre in Australia, so each show that opens up there is usually tied into a recognisable or marketable commodity and are trying to deliver as much to audiences as possible. Spider-Man has also not been helped by the vast amount of injuries related to the cast members- mostly stunt people - which has added to the cost and delays to the show- but most big musicals have accidents- for instance a member of Lord of Rings had there leg caught in some moving aspects of the stage, and an actor playing Elphba from Wicked had an accident with the trapdoor during the melting scene, however Spider-Man's have taken a more public form.

Here is link to Niel Patrick Harris at the Tony's making jokes about mostly the accidents.
href="http://www.youtube.com/watch?v=SQIVxqSa4qQ&feature=related">


When I was looking and listening to this show and thinking how I could review it, I came up with two different comparisons that I kept coming back to. Comparing it to a show that had a similar mixture of elements in the stage version of 'The Lord of the Rings' (yes, you read that right), and the other was comparing the show to works from another rocker who has branched into musical theatre composition Elton John.

Lord of the Rings and Spider-Man

Both shows are spectacles- with a large visual aspect that is lost when the only way to connect to the show is the soundtrack. Each had circus like aspects where we have performers dangling from cloth and they are able to crawl up and slide down over the stage- similar to some aspects of Cirque du Soleil. Lord of the Rings had a stage that would move and change according to where they were in the show, Spider-man has the line-work (OK, a lot of line-work) and the interesting visual illusions and technology. The visual tricks and the same idea to make the show spectacles were one aspect that joined them together, and the other was the non-musical score.

Non-musical in the sense that they are not what you would expect from a musical. If you were to compare the score of these shows to the 'Golden Age' of Broadway shows such as Guys and Dolls and basically anything from Rogers and Hammerstein you would be left a little confused, and wondering why?

The Lord of the Rings was composed by Andrew Lloyd Webber's protege of sorts- A. R. Rahman with the help of Finnish band, Värttinä. Rahman worked with Webber on Bombay Dreams and won a Golden Globe and two Academy Awards for his score on the film Slumdog Millionaire. So in accordance with this background the film has sort of the big emotional film score type feeling.

It sounds like a feat of Celtic music with a spice of Indian mysticism (http://www.blogger.com/%3Ca%20href="> for a peak), to which I felt aided in creating a unique score, with some extraordinary chorus numbers and hauntingly beautiful solos from Laura Michelle Kelly (who plaid Galadriel- you might remember her as the UK Mary Poppins, or as the Johnny Depp's wife in Sweeney Todd). There are lots of drums and usage of the Elvish language to create something unique, but however vastly different. The show had its critics and did not last in Toronto very long- there is actually an amusing clip with Nathan Lane trying to show how to make Lord of The Rings more like a normal Broadway show- href="http://www.youtube.com/watch?v=EPDoNJqJgTg">
It was rewritten and shortened before it went to London, where its cost and unusual style caused it to close after a year. However there are still fans on the Internet calling for it to be filmed for prosperity- but us theatre fans always say that.

Spider-Man has a similar unusual style- with rock songs that are interesting by themselves- but just like the first time I listened to Jonathan Larson's 'Tick Tick Boom', you cannot get the story of the show from listening to the musical, and for those who cannot see the show it does grate somewhat.

The music does have the feeling of U2 hinting at some of their great past works, and at other sections through the guitar solos linking two sections of songs to a little indulgence. Some of the more harsh critics have called the soundtrack the c'list of a U2 Album, but perhaps like me the music will grow after a few repeated sessions.


U2 And Elton John

Sometimes the songs in Spider-Man feel a little overproduced- and you know that compared to other albums that their voices have been altered, and this takes away some of the essential human/emotional connection that draws me to musical soundtracks because I know that this is what the person sounds like- there is less editing (this is probably wrong, but I like to think if someone can fill a theatre with their voice that they can sink into a microphone in a studio). This is not to say that some of the songs from Spider-Man do not have any emotional impact, some are just lost in 'loudness'- which a lot of rock is doing nowadays.

This is in comparison to Elton John's music which seem to be able to grasp emotionality a little easier. Elton's work on Billy Elliot, Lion King and Aida have all been successful and have been able to take the rock touches of his style and marriage them with the Broadway style of song. This is not to say that every show that Elton touches is an instant success- for example does anyone recall- Lestat? I liked some of the songs from this show, but I can see where it at times over-indulged in certain styles- namely opera.


Spider-Man might be better to see now, because we are currently in Version 2- I think. Which is the rewrite that had to occur after Taymore left the show, it is supposedly more clear now, but it is missing some of the boundary pushing of Taymore's original.

CAST
One of the first things you will notice from listening to Spider-Man is that Reeve Carney (Peter Parker/Spider-Man) sounds very similar to Bono- I'm not sure if this was a creative choice, but OK. He and his band the Carneys opened for a U2 show sometime in 2008 and I am assuming this lead to him being considered for the role.
- Also a plus; he does not sing with the mask- Nice call Taymore because that would have been unnecessary and made the audience laugh. He is not a name that I had heard of before- but he has a lot of songs, and is being used heavily in the marketing of the show- just type his name and find videos galore- some even with Bono and the Edge.

But the more interesting member of the show for me would be the talented Jennifer Damiano. Name should ring a bell for fans of the sleeper-hit Next to Normal, as she originated the role of the angsty daughter Natalie Goodman (a role for which she was nominated for a Tony), also for Glee fans she was an understudy for Lea Michele for the role of Wendla in Spring Awakening. She plays Mary Jane, and she brings a strong soft voice, to bring joy to her duets with Carney. She is sadly under utilised, and I find myself mostly listening to songs that feature her...in short I like Jennifer Damiano.


It does help that she looks like this and has a voice like that.


The Green Goblin, Patrick Page features in a limited amount of songs, and is heavily edited, which makes his song 'Freaks like me' very annoying to my ears. Which is a shame because according to other reviews he has been a highlight of the show, unfortunately it does not come through on the soundtrack.

It is also a shame that the album is so short, and that all the songs from the show are not included- I guess it is for the CD capacity or so that the twists of the show are not given away- but I felt that if they had included all the songs, that perhaps the listening experience- especially trying to understand the story would be easier. Maybe that will be a future release- a deluxe album.

So in conclusion the show, loses something without the visual umph, and quite a few people will not like it upon their first hearing. However after repeated sessions I have enjoyed some songs so much that I have placed them on my ever increasing mp3 player playlist. So in short- give it a chance if you are willing to experiment.

SONGS TO SUGGEST;

Rise Above 1 and 2, are probably the best songs on the CD, and capture the best elements of the show. I am actually quite glad that Rise Above 1 with Bono and the Edge has been the song performed on the TV Circuit, as it is engaging with a nice message that ties into the motto of Spider-Man- 'With Great Power, Comes Great Responsibility'. Rise Above 2, reminds me of Lothlorien from the Lord of the Rings Musical, that is more powerful than 1, because of the chorus- I like chorus numbers- the force of all the voice I guess.

No More, is a song that builds itself up and is probably the song that best explains our two romantic leads somewhat- by showcasing their troubled lives, and because of this as well as having the two leads causes the song to stand out.

DIY World has a simple melody, but it uses it very well, and with the excellent use of the cast it is able to build and drop, and then build again taking the listener on a journey. It explains the genetic engineering that ties into the fateful spider.

If you like one-sided love songs, there is the haunting 'If the World should end' sung by Jennifer. I like the song, however it is slower than the majority of the rest of the show, and since it is a solo it feels a little out of place on the album. Besides the benefits of the song, I concede that it probably was not the correct song to bring to this years Tony Awards. If you watch the Tony Presentation and the songs performed by the other shows- mostly group chorus numbers with a dance portion, you will see how a solo love ballad which takes place sitting that it highlights how different this musical is.

Honorary Mention
Pull the Trigger- when Osborn (The Goblin- keep up) starts to think that Spider-Man might have taken his research, and the Military starts to push him to accelerate his research. I like the development of Osborn in the song, and the music is some of the less jarring when the chorus is singing, however it does have a guitar solo aspect to it that just seems like filler to me. That is why it is not up there, however the last minute of the song is rather catchy.

SONGS THAT ARE NOT THAT GREAT
Freaks like me, I mostly do not like this song because of the editing they have done for the Goblin's voice.

Bouncing off the walls- Repetitive and loud,for a show that delves into creative areas this seems the most redundant and reminds me of songs from Vertigo.


Thanks for reading my review- please feel free to comment or suggest albums.

Here are some links to videos
"http://http//www.youtube.com/watch?v=75Buk7WGq9g&feature=related">
A brief taste of some of the songs.

http://www.blogger.com/%3Ca%20href=">
Tony Awards Jennifer Damiano and Reeve Carney

http://www.blogger.com/%3Ca%20href=">
Music video of Rise Above 1

http://www.blogger.com/%3Ca%20href=">
Rise Above 1 Featured on the still continuing American Idol (seriously that's still going?)


Oh and for last minutes comparison, I am not sure if Marvel did this on purpose but compare the hairstyles of Reeve Carney and Andrew Garfield (from The Social Network, and has taken Toby Maguire's place as Spider-Man in the upcoming reboot- the Amazing Spider-Man) and tell me it was the hair that got him the part wasn't it?

Andrew Garfield (or is it?)

Reeve Carney (or is it?)

If you enjoyed that article you might enjoy the following from this blog;

http://dalesnewsblog.blogspot.com/2011/07/bloody-jackson-review.html

http://dalesnewsblog.blogspot.com/2010/11/strange-bedfellow-new-review.html

http://dalesnewsblog.blogspot.com/2010/11/glee-vs-fame.html

http://dalesnewsblog.blogspot.com/2010/11/strange-bedfellows-in-harry-potters.html

http://dalesnewsblog.blogspot.com/2010/09/awtc-pirates-of-penzance.html

http://dalesnewsblog.blogspot.com/2011/03/livid-productions-presents-monty.html

Or Look into the Current COW updates

http://dalesnewsblog.blogspot.com/2011/09/cow.html

Bloody, Jackson Review

Broadway is no longer just waltzy jazz or big band, in fact some of the more popular shows of recent years have been rock inspired. Shows such as Spring Awakening, Next to Normal and the Green Day scored 'American Idiot' have been attracting a more youthful audience, but the stories that are the core of these shows are still strong.

But this article is not about those shows, they might come latter if time permits. This article is dedicated to a little show that I just happened to stumble upon, and although the videos of it out there do it very little justice, the soundtrack instantly caught my attention and has just as quickly made it into my usual play list, a show called- 'Bloody Bloody Andrew Jackson'.

It uses the style of emo rock music to satirise not only Andrew Jackson the 7th President of the United States of America, but also modern American society and ideology, with catchy (if not the best written lyrics) and bouncy music with good hooks.

First some context;

For quite a few Australians we only learn about the more modern Presidents- not through school (wait History covers some 'Modern', 40-60 years is still modern right- we still listen to 'Over there' right?) Washington, Nixon, Forde, FDR, Lincon, Bush 1 and 2, Obama, Clinton, Reagan, and then Stephen Sondheim's Assassins taught me about McKinley and Garfield but no Jackson.

Jackson was the 7th President of the United States and is something of a divisional figure, whose followers are credited to the modern Democratic Party- so Obama, in a way.

Jackson was a politician and an Army General who defeated both the British and the Native American Indians- pushing the later further west thus solidifing the hold of the United States. He also destroyed the national bank- a left over from British rule. The musical plays upon this as a passionate man seeking to improve the lives of the people, and not those rich new England f39-s. The themes of populism, the Indian removal and his relationship with his wife Rachael (why because you can't go wrong with a love story- even if it is a sub-plot).

Jackson was an orphan at the age of 14, and through his capture by the British he developed an intense hatred of the British. Jackson is said to have had an aggressive personality, allowing him to take on the British, the Indians, the Bank, the world and last of all his wife and beloved people. It could be said that his link to populism was a way of using the power of the people against the power of hierarchy or the crown of the British, and the musical takes the rapid anger of the common man and filters it through the medium of Jackson- a angst that does have clear links to modern teenage angst and the emo culture.

For example here is a sample of lyrics from the song - 'I'm so that guy'.
Sometimes you have to take the initiative
Sometimes your whole family dies of cholera
Sometimes you have to make your own story
Sometimes you have to shoot the story-teller in the neck
Sometimes you have to take back the country
Sometimes you have to kill everyone,
everyone, everyone, everyone, everyone, everyone

----

Life sucks,
and your Life is going to suck universally,

-------
I will make them all bleed.

Now seriously who cannot see the kid with the fringe bouncing along to that in his weirdly energetic melancholic mood. I find that it is a good pathway to relieve stress to sing along and put all your anger through the lyrics.

Jackson's anger against the bank is also a timely topic considering the GFC and the subsequent bail outs, if only modern leaders were as tough on banks as Jackson then things might be different. For instance Jackson thought the following of banks

It concentrated the nation's financial strength in a single institution.
It exposed the government to control by foreign interests.
It served mainly to make the rich richer.
It exercised too much control over members of Congress.
It favored northeastern states over southern and western states.
Banks are controlled by a few select families.
Banks have a long history of instigating wars between nations, forcing them to borrow funding to pay for them.

After some struggle Jackson was able to destroy the Second Bank of the United States.

One of the most unique (lullaby like) and controversial songs for the show is called 'Ten Little Indians' and describes how Jackson and his self made militia engaged in the removal of Indians from what he deemed 'US' territory, through both force and negotitation.

It also explores through the previously mentioned love story how someone who loves their country and its people so much can also love one person above all. The public life of presidency and the effect this has on those they love. But he is 'so that guy', and if those rich new Englanders are not going to drive out the rest of the whole world then it is up to him to take a Stand with populism, the power to the people not the elite.

The musical explores some difficult areas, such as the problems with populism. How often have we all heard from work colleagues or the media that if they were in power they would do so much, and that they know what the people want. Well governing people is difficult, as Jackson found out both in life and in the musical. Jackson early on was popular because he engaged with the public to gain their opinion on matters of state-to the ire of congress and the senate. However it can only work so long, because as one solution is made, more and more complex problems arise and then you start bringing out the ire in the people who resent having to be involved in complex and tough decisions. Which leads into a good little solo song where Jackson takes stock of all the things he has lost- his wife, his family and now the Amercian people's loves, and he decides that he has to once again take a stand and make the tough decisions with or without the blessing of the people.

Some lyrics from this great song are;
When it stops being fun
and your patience is done
and you see being president is hard
when this country before you
that cannot be governed
you find yourself powerless bloody and scared

And what is it for
the love of the people
who is it for
this nation we made

the guy who did everything his way
where has he gone

--------------------

So we'll ruin the bank
and we'll cripple the courts
and we'll take on the world
for America's sake
and we'll take all the land
and we'll take back the country
we'll take,and we'll take
and we'll take, and we'll take

And this country I'm making
cannot be divided
the will of the people
won't stand in my way
How can I tell you
how deeply I'll make them all bleed

The story comes through clearly and the themes are clearly spread throwout the show with enough hooks and catchy beats to keep the songs in ones head for long after. At times it does seem a little random, for instance the 'he said, they said' structure beat of 'The Corrupt Bargain'- do do do do do (Listen and you will get the reference).

The musical ends with the parallel views of Andrew Jackson as both one of the great American Presidents, and as an American Hitler. It is this complexity which gives this satire some necessary dramatic grounding so that the audience is carried along with the characters and not just waiting for the next reference.

It is a shame that the musical which received early critical praise and Tony buzz closed on Broadway after only 120 performances.

After looking for it on youtube I would implore readers to listen to the soundtrack before watching the movies- because it is a lot more effective with the music blaring, and it appears that it at times took on a concert like structure on the stage- on of the odd staging that some critics have suggested for the early closure.

So in conclusion the soundtrack although short -13 songs (but they fly by) that both satirise America succinctly but it works just a well as a rock album that has a little bit of a theme thrown in- like a concept album. The songs I like the best are the tongue in cheek opening number- 'Populism, Yeah Yeah', the hauntingly simple but complex 'Ten little Indians', the silly 'Corrupt Bargain', the rapid build up of 'Rock Star' and the aggrieved number of the 'Saddest Song'.

I would encourage people to check it out and send me your feedback. We probably won't get a big tour of it down here, but you can at least enjoy this little under appreciated Broadway treasure.

Coming soon, a review of Spider-Man: Turn off the Dark, composed by Bono and The Edge of U2 Fame.

Find below some links to Further information on Bloody, Bloody Andrew Jackson;

Here you should be able to listen to the cast album on the show's official website.


A preview from the demigod of the internet youtube.

The Garden Capital

Hello Dear Readers,

You might have been wondering where I have been, well it has been a little touch and go over the past few weeks, relocating and setting up shop in a new line of work- of which I cannot speak much of- yeah I know...nice.

However I can tell you about the city that Oz refers to as its capital, and some of the stuff you can get up to here.

Ok for those who need to know, Canberra is roughly half way between the Capital of NSW (Sydney) and the Capital of VIC (Melbourne, but manages to combine the feeling of a city, with the sites and views of the country.

For those who end up moving here be warned since it is the Capital it is not necessarily cheap, but if you are smart and plan ahead, it is not necessarily expensive- this is all in relation to those other capitals of course.

One thing that people need to know is that many Canberra locals do not or have not seen many of the sites that those outside of the state are encouraged to see, they have become used to having sites such as the War Memorial, Parliament House and various Muesuems and theatres (including groups, but more on that later), and some even are annoyed of the amount of traffic certain sites cause.

Now if you were to ask a Canberra local about suburbs, like which are good to live in, most will refer to their suburb, the sourounds or a few others, this doesn't sound that different to you or me, however Canberra has a load of suburbs- some only lasting a few blocks. This has caused the Canberra system to develop the Town Centres method. Canberra Town Centres are focal points that a group of suburbs are clustered around, and are linked to the major shopping centres, bus stops and residental preceints.

Gunghalin is the most Northern Town Centre, and probably the fastest growing. It is an easy drive in to off of the Barton Highway from Albury, and is a quick freeway drive straight into the city. A lot of new residental properties are being built up in this area, the most high marketed are Crace and Forde. Since it is close to the major freeway, it has a relatively easy drive into the city, Belconnen or other centres. It has recently launched it own campus for the Canberra Institute of Technology.

Beloconnen is the next Town Centre down, it is a little older, but has a similar easy connection onto the freeway for easy access to the City. Near the centre it takes advantage of Lake Ginninderra, with surrounding dining, and entertaining options. It is the town centre that has its own campus for Canberra Institute of Technology and the University of Canberra. This town centre has a lot of buses comming through on the ACTION (https://www.action.act.gov.au/)Rapid service, with buses going straight into the city. It also has its own Westfield and markets on the weekends.

The Inner North includes the City, and is debateably the most expensive spot to rent/purchase in the city- however this is because a large proportion of population work here. It has all of the major bank centres, two bus stops, another CIT campus, ANU, the Canberra Centre (a large multiblock/building shopping centre- be sure to get a Canberra Centre card for discounts at some stores. Although it is the city centre, there is very easy access to a natural park.

The Inner South includes Parliament Circle, and what locals call the Parliamentary Triangle, and has a little bit of a rivalry with the North, and this means that instead of expensive city living, you have expensive harbour property or historical property- some of them million plus dollars. The roads are more spaced out than the North, and takes on the style of the Garden Capital most effectively. Quite a few landmarks are in this portion, however make sure you like roundabouts.

The next town centre is Wodon, with its own Westfield shopping centre. It is a little easier here, with a more relaxed atmosphere with various clubs and RSLs offering fine dining and entertainment for the population. It is popular with both families and the elderly. It has a large bus station connected to the shopping centre, and has buses going North and South, quite regularly. However it does get a little creepy at night, I think it is the lighting.

Weston Creek is like Wodon jr. It has the same sort of feel, but is tucked away to the side and has less traffic. This town centre however will have the joy of taking on some of the land that was devastated by the Canberra bushfires of yester year. It has easy access to the north, south, anywhere you want to go, while still having local shopping and dining.

Tuggeranong is the southern most town centre and like Gungahlin is open for expansion, in fact houses are being sold at Banks the most southern suburb of the ACT.It also has its own shopping centre, bus station and has taken on a cosmopolitan feel for its centre, whereas its suburbs have easy access to country like views.

One thing I have found in all town centres, besides North and South is the access to riding or running tracks or paths, thus giving people like me the option to engage in traditional exercise. However you quickly find that gyms and coffee stores make a killing, and nearly everyone has a connection to one or the other, if not both.

PUBLIC TRANSPORT
If you are going to use public transport take a look at ACTION for bus timetables. Also if you will be catching a bus quite often I would definitely point you towards taking up the smart card travel option for Canberra- MYWay (http://www.transport.act.gov.au/myway/fares.html). If you register you card or pick up a $20 preloaded card from quite a few places in the city centre or various other stations, you will pay a roughly $2.52 for a single trip with a free 90min transfer, whereas if you paid in coin, it would cost you $4 each way. So you can potentially save more, also if you are a student of gain concession you will gain cheaper prices as well. They are also trying to push for online loading of your myway card- but you need to register it first and it takes a few days for it to go through, but you will gain a further 5% discount on trips.

PARKING
Compared to Sydney it is a lot cheaper. You should aim for parking in any of the shopping centres because they offer the best parking, location and are of a decent price. The Narllen Street park of The Canberra Centre has at various levels and you can park for $10 a day. You press at the barriers to receive a ticket, feed it into others, and feed it into the machine for it to be rendered paid (sorry you need to add money) and then you can get back out.

On the weekend various shopping centres will have either free or $2 a day. It depends to which one you end up going. Check the signage- don't get fined.

THEATRE
There are multiple groups in the ACT. Nearly each town centre has its own theatre or playhouse and there is a multitude of styles and levels of professional ability.

I would like to make note of the Canberra Opera Workshop, a really new group who are working to bring a unique opera group back into the Canberra region and they have a bit riding on the success of their show in December, but with the talent involved, we might see them for years to come, we can hope.

I hope this gives you a little taste of Canberra, or at least what I can tell you for now.



Check the link below to find the town centres.

http://maps.google.com.au/maps?f=q&source=s_q&hl=en&geocode=&q=canberra&aq=&sll=-25.244696,135.703125&sspn=36.482237,78.837891&ie=UTF8&hq=&hnear=Canberra+Australian+Capital+Territory&ll=-35.290469,149.124298&spn=0.521233,1.231842&z=10&iwloc=A

The Tripping Giant

The Global Financial Crisis is an event that has been floated around for a while know but there is a great number of people who do not understand the topic. This article will focus on giving you a basic understanding of some key aspects and might encourage you to do further or at the very least be able to understand and perhaps contribute to conversations in regards to it.

Why does America have such a huge effect on the rest of the world?

This conversation crosses a wide spectrum of topics from finance, culture, technology, media and politics, and to cover them in any real efficient detail would require thesis papers from academic areas such as finance/commerce, sociology, psychology, IT, Political studies, science, engineering to name a few.

To put it simply America is a young country in the scheme of things, and they were able to improve upon the ideals and systems of the European or ‘old world’ nations which in themselves were built upon the progress of the various empires throughout history, Rome, Greece, The Mongols, an Egypt. With their distancing themselves from England they were able to create a new identity for themselves, and the fact that they were able to defeat the British Empire at this time, instantly placed them in a position of power within the new world order.

The Americas compared to Britain were rich in resources, and now had a powerful economic tool in both the slave trade, and child labour through factories; both facts that other emerging countries have noted about progress. If people were to look at America’s progress throughout time, we see that they had less restrictions on how they could push their economy, and thus make America the economic powerhouse that it still holds today. When compared to emerging nations like India and China, they are now having more UN sanctions and Humanity demands placed upon them, which is progress for the Human condition, and rights, but it has to be noted it seems a little ironic that America can gain benefits and then demand that others can not use the same- even if it is morally and humanely wrong- system.

World War 2 came around and it you learnt your history from Hollywood you might be surprised to learn that America was actually a late entry, preferring to trade with both sides of the battle. They did not feel any threat from the Axis powers. This is not to say that there were not a select few who understood the ramifications of the war, and that America should not be profiting through their beloved free trade system and sitting on the sideline. It was not until Pearl Harbour that America decided to really become fully involved in the war. A famous quote in regards to Japan causing America to engage in the war, that they have ‘awoken a sleeping giant’, a similar phrase has recently been stated about China.

America had a lot of economic power and resources to back up their technology, and they gave the Allies a much needed boost. America then ended the war with the bombing of Hirosoma and Nagasaki, and so reaffirmed their position as the dominant superpower.

Of course there was another possible superpower and America took the view that from the East was the evil, the Soviet Union. Thus the Cold War emerged where these two titanic nations engaged in chest beating, comparing of toys, and name calling, whilst getting other usually developing nations to fight out their battles for them. America with capitalism was following the free market where capitalism and the dollar were the engines, and the wheels that were used to keep this going were the concept of the American Dream and that anybody could obtain success- ‘The Land of Opportunity‘.

America through free trade and through their vast output of cultural media made their actions clear to others, whereas the ‘Iron Curtain’ of the Soviet Union created a position where all the world could do is guess and speculate about the wonders, and what few items that were released- I’m guessing they were picky about what they showed- suggested that they were always a step in front of the Americans. This lead to further increases in arms and of course trading to get resources to make arms, a nice little circle. Of course we know now that what we though about the Soviet Union was not in fact reality for the common man, and through this battle of wits and waste of resources to obtain nothing really in the end, caused the Soviet Union to collapse.

Without their major nemesis the Americans were able to keep their progress going and impose their imperial ideology through their trade deals, and because they were the major exporter of culture- film, music, literature, the whole world was already thinking in a similar fashion and hey who wouldn’t want to be like America? Of course this has also caused America to have a few enemies, which dislike various aspects of America’s foreign policy, and their at times selfish and arrogant behaviour. America at times does not agree with the UN decisions, and you have to wonder why UK Prime Minister Tony Blair received trouble regarding his contribution to the War in Iraq, whilst President of the USA, George W Bush did not. Because of their domineering position the rest of the world has taken their cues on many major institutions, such as Business, and of course finance. Thus when the GFC occurred and rocked the US economy it was nearly instantaneously felt within the stock market, and then more gradually in the actual economy- where people order and trade resources and stock, and from this area the vast majority of jobs were lost. Globalisation has many benefits but this was not one of them, thus what normally would have been a more reduced instance was felt worldwide within a few months.

But if America was the cause why do we still use them as our basis?

Well the G20 meeting in London in 2009 is actually being sited as the start of a new world order. The G20 Summit is a group of 19 nation’s finance ministers, central bank governors and the European Union and was started in 1999, who come together to discuss financial problems and global economic governance. As like most of these meetings there were groups advocating for free markets- because you know its not like that led us into this- and others who wanted the State to greater intervention- and no the State is not like the ‘Man’, it means that the Government would have greater control over the system- this limit’s the possibility of growth sure because you have more prying eyes, and people that you have to past ideas through, but in the end some nations including the USA needed to change the way they would handle the situation.Luckily the USA had President Obama, a much more collaborative Diplomat compared to the more dictating style of Bush Jr, and this allowed for the group to power forward.

The G20 Decided that they were going to create a new Financial Stability Board that would unite National Regulators with the IMF to provide more efficient early warning systems, and placed more money into the IMF so that nations in trouble would be able to borrow money to help them. Also it was decided that more emerging nations would be given a say on how the IMF would implement the money, and how the Global Economy will deal with the GFC. Hence instead of using America as the focal point of Global Finance, the new world order will sort of function as an external body- similar to the UN, and the IMF that works for the Global betterment. Because they are separate from a single country they are able to react more quickly than a single nation because they are less tied to communicating with the wide variety of departments, pushing bills and policy through houses, and the minefield of politics in quite the same degree. This however does not mean that the world is out of the metaphorical woods, because those same International Bodies have been criticised for acting with the same ideology of the USA or UK and not Global, or have been implementing items that benefit the developed and only impose on the developing, or even using outdated methods for evaluation. This is probably why there has not been much noticeable change for the everyman.

Another major reason why we still use America as our global financial base is because a lot of different nations have invested money or resources in American Dollars. Because a large portion of some nation’s GDP comes from their investment in American facilities or banks, or resources, it is in their best financial interest to try to keep the American Dollar strong, so that they in themselves are not financially hurt, so holding the other nations to ransom. This creates a paradox of where you are trading in a Currency to make it stronger, so that you can retain a profit whereas usually you would be trading in a currency that is already (or if your crafty about to become strong) so that you gain profits. For example quite a few countries are investing in Australian currency because they see it as a backdoor into investing with the Rising Dragon, China- Australia has a strong economic and trading deals with China, and thus if you invest in the Australian currency which is then fed into China, they can gain benefits.

It might seem a little off putting for those who do not know about banks, but they are nothing like Scrooge McDuck with the vast vaults of money. In fact most banks are investors, hence your money is invested into the stock market, the currency market, the commodity market (the trading of resources such as oil, gold, tin, beef) and banks perform best when they are all interlinked through trading and borrowing between each other. However when the GFC hit banks, like all businesses needed liquidity- translation: Cash. But how are they going to get the cash if they cannot borrow from another bank? This is one of the major reasons that banks or financial institutions of various sizes were in trouble. To make it appear to other institutions and to the public that they were still strong, or in some cases, just not weak banks tended to save. But if the banks are loaning, then other banks, businesses (both large and small) and individuals (including couples) caused a lot of people and businesses to do it hard- or fail, not necessarily through bad business practice but through the need of business for credit to grow and prosper.

But then you have Governments trying to get people to spend, so that the economy would be better. A good example of this for the Australians is when Kevin Rudd gave out the $900 stimulus package to people- did you spend it? Really, you went out and spent all of your $900? Right (Oh by the way when dealing with individuals the paradox is referred to as the Paradox of thrift). Banks did not want to loan because they thought they would fail, but this then made people start to think that banks as a whole would fail- which then lead to the much criticised bail out of the banks. Perhaps the banks will start to save more now, or maybe if we wish hard enough the money back that we paid them.

So in the end America is still important but they are no longer the Giant who could dictate to other countries, they are starting to come into the fold of a new world order, where more countries have a say in finance, and hopefully this will mean that there will be less situations like the GFC in the future.

Livid Production's Presents Monty Python's Spamalot; Opening Night Review

Monty Python’s Spamalot Presented by Livid Productions

Thursday the 24th of March 2011
7:25pm Not many people when I arrive at Albury’s Entertainment Centre, a slight chill wind as the overcast sky rolls by- it will probably miss us. A few of the elderly art crowd are here, they are the most supportive members of the community theatre and come to see just about everything, but it does make me feel good. A couple of ladies recall their days of yore, with each pointing out where the stage door lies, and both recalling their dalliances. A few younger people arrive and are quick with their Python jokes…the film on which this latest show to hit Albury has been a popular one through the growing generations, and each has their own memories- seeing it in the theatre, whilst at a friend’s house, while drunk, at a theatre school. I wonder if the jokes will come off well, considering that the Python skits and the movie are so well known, is it nostalgia or would it be genuine laughs.

The program/poster combo for $2 was a good selling point, and somehow compensated for the lack of photos of the cast- but this is nothing new for Livid, who usually take the more minimalist approach, without losing the purpose of their program. Also of note was the handy salesman or was he a volunteer selling the program, who was more than willing to inform me of the specifics in the show- with about three family groupings involved in the show, hence pushing the community angle of the production, it was a good approach and I hope he continues to do that.

The stairway up the ramp led to a locked door however, it could lead to future problems, especially if the salesman previously mentioned has to continue to go over and press the button to let those who need to use the ramp in. I hope that this problem is rectified for the future shows.

The crowd hustles into the white glow of the theatre at about 7:40pm, in an otherwise dark and overcast QE2. Only the brave and I wait outside loving the juxtaposition of what the night outside seems to be heading towards, and the enlightening promise of the theatre.
We all ushered in when the wind picked up into the foyer, and discussion was ripe, an air of expectation- references to past Livid Shows, and someone having saw the show in Melbourne, others talking about friends in the show. I even caught up with some old friends, and met some of their friends, so already a positive. There were a few awkward anticipatory minutes while we waited for the clock to tick to 7:50pm, yes they were given the OK, and in we flowed.

David Todd the Director watched from the sound desk at the back of the theatre, noticing the various emotions on the people’s face. His usually stoic face had a shade of nervousness, would they like it? Would the show follow upon the success of Little Shop? He greeted a few family members of cast members, and some past members of Livid with a pleasant smile and nod, while keeping the professionally focus on the sound board.

The stage had red lighting and the castle looked foreboding, simple but effective. A few friends of the band approached them and waved and joked, wishing them well for the show, not professional, but that is not the purpose of community theatre, it is to bring together people and to show the community talent and skills from locals. It gives us a picture of the community behind Livid Productions.

The theatre was about a third full, mostly the centre section, and this caused me to be in the front row, a great place to be. I had thought that perhaps on the opening night that there should be a student rush or preview price just to get people into the show, and try to fill the theatre on the opening night, like the University theatre in Wagga does often, but I was met with the stuffy attitude of another patron who just thought that if everyone had just taken one or two people with them the theatre would be full- with no regards to others positions, oh how it would be nice to view situations with such a simplistic economic and social view.

ACT 1
From the beginning of the show it was evident that there was going to be problems with the sound system; with the announcement reverberating with microphone interference and volume needing to be adjusted quickly. I did think it a good gesture that Livid allowed the President of AWTC to do the mobile phone pre-show announcement, even with the sound problems. It was however that the sound system in the Entertainment Centre had not improved from Pirates last year.

The sound problems occurred a few more times, with the volume going too low on some of the softer voices, or during the middle of songs, thus the audience lost a little of the lyrics and jokes. Besides the sound problems it took the cast a little bit of time to ease into the show, however being opening night, they were probably still just getting out of rehearsal mode- and this is to be expected from the opening night audience.

What shone through the sound problems was the increased physicality of the show- the Livid team had taken upon the slapstick qualities of Python and the movement of a Broadway show in their stride. The dances were energetic and often times the whole stage were filled with people- sometimes they were not heard, but they were seen. The whole cast had reached their level of comfort by ‘The Knights of the Round Table’, and from then the cast started to shine.

ACT 2
The second act had some improvement with the sound; I did feel slightly cheated however that nobody on stage could be noticeably seen to whistle during ‘Always look on the Bright Side of Life’. I was seated next to friends of Fenn Dawson- a new face on the border theatre scene who did a fine job as Sir Lancelot- and they were often acting or waving trying to distract Mr Dawson, and at times from my position it was clear that he sometimes let his concentration slip, but this is nothing that a little more experience and focus could not clear, and he should be applauded for not losing character during their attempts.

Each cast member was going with the flow, and you could see their excitement, though one of the younger male members of the chorus had the same twisted expression on his face throughout the show- I was not sure if this was him keeping a character, or if he was in pain, but it was distracting. Perhaps this was also a lack of experience and he was nervous, but hopefully this will diminish after the opening night.

When the whole cast was up and going it flowed organically and the show was better for it, there were some timing issues, requiring the band and the cast to be more in time to be effective, but the audience found the miss-timing of some of these bits more funny, because we were reminded of the fact that this was a live show. Also of note should be that the whole cast did act very professional in regards to the sound problems, and kept in character and kept the show going- Steve admirably increasing his volume to accommodate on one occasion in particular.

Also there was an unexpected laugh when the audience got a preview to a visual joke before it was required, but they still went through with the scene with determination, and although a flicker of unexpected energy flashed across their faces- hinting it with a smile- the audience forgave them for it, and chuckles could be heard.

Specific Actors
The highlight of the show for me was Corey Cooper as Sir Robin, his physicality, voice and timing was great, and he took his songs and enacted them with a charm that brought the audience along with him. His face was very animated and it was obvious that he was enjoying the show and his character, and that brought us along with him.

Another performance that caught my eye was from David Keat as the Minstrel, and part of the chorus, who used his appearances to great effect getting the laughs flowing from the audience, and his physicality was engaging as well. He was unfortunately plagued with more sound problems than most, and this was a shame.
Speaking of a shame I did feel sorry for Michael Parker in his song ‘Not Dead Yet’, when he suddenly became inaudible however he kept going on, and he still managed to coax the audience to continue on with the show, and I hope that he will get the chance to bring the song to an audience.

Steve Armati was a strong presence who used good comic timing, and a firm understanding of theatrical technique, and often adapted to the different requirements needed. He was a delight during the whole Dennis sequence, and was visually enjoying his duet with Lauren Schmutter; ‘The Song that goes like this’. However during the big dances scenes it did appear as if he was thinking too hard and his actions were not quite what they could have been. I know that he will overcome this and only grow after the opening night hurdle.

Lauren Schmutter has a fine voice, and performed well in the role of the diva, Lady of the Lake, however she was probably the most hindered by the sound problems, and this was the feature that limited the effectiveness of her bits of the show. She was professional and used her tricks of the trade to improve the experience of the audience, and I know that she will only see this as something to overcome.

Fenn Dawson as Lancelot was well cast, considerably younger than the other leads, but he held his own and reminded me somewhat of the stage presence that Ben had as Seymour in Livid’s ‘Little Shop of Horrors’, which can only be a good thing. He had a grip over the stage and the audience, and we all delighted in Lancelot’s journey.

The Mother, Son partnership of Jason and Narelle Parker were a solid foundation for the show to build upon. As King Arthur and Patsy, the concern and connection between both actors was very strong, and carried the show during some of its slower periods. It did appear that Jason was a little less energetic when compared to his role as the Dentist in Little Shop, but this is easily explained away by the great differences in on stage time of each role, and the different character types.

Paul Hardbottle always makes himself known when he is on stage, and used his physicality and voice to great effect in his roles as Prince Herbert’s Father and the Head Knight who says Ni. It was a pleasure to see him getting back into the community theatre, and it appeared as if he enjoyed it as well.

AWTC President Joseph Thomsen was milking the laughs during his role as the French Taunter and I have to mention that he makes very good use of his face during the scene. I hope the success of AWTC Board members in this Livid Production will encourage future crossover.

Aaron Bykerk was expectantly successful in his role as Prince Herbert, and made the audience both uneasy and had laughs on the tip of their tongues. I especially love the Sondheim reference, that is more a feature of the show, but I enjoyed it and it added another layer to Herbert.

Colm Cox was a solid and effective performer and showed his maturity and professionalism in his various roles, and I once again have to tip my hat to him. I should also note Colm’s daughter was successful in her role as a keyboard player in the band, and I hope the success of the family groupings will encourage more families to get involved.
The chorus were all effective in their various roles and added much needed volume and spectacle during certain scenes, and they kept the visual jokes flowing throughout the show. The chorus had multiple costume changes and songs to remember and though not all of them got an individual moment, they are of course the necessary structure from which the show bounces off of. They should however fix the sound for them, at times I could not hear the female chorus at all, but they still sang their hearts out.

I should also mention the interaction with the band, it was a great joy to see the band becoming more involved with the show, with Bruce Cook providing some simple but effective acting from within the orchestra pit, whilst still keeping the music going. Speaking of the band, though some notes sounded a slight bit off, the music was the beating heart of the show, and the band showed their adaptability to the various musical styles featured in the show.

Also if you are in the audience stay on your toes because sometimes the actors interact with you, and one section in particular definitely made one man’s night, and gave the show a link to the community, which the whole production achieved.

So after the Gold Cup races head on down to Albury Entertainment Centre, because Monty Python, great songs, and a powerful and emotive cast and crew are willing to cheer you up from your losses, or make your racing wins seem much more fruitful. Didn’t go to the races? No matter, the show is still itching to make you smile and deliver the joys of good community theatre, and isn’t that what it is all really about? Don’t grumble, give a whistle- for Livid Production’s Spamalot.

Seen the show or in the show- leave a comment or send me a message at andrewdassher@hotmail.com

For those who don't know where to get tickets yet well here are some links for browsing;

http://www.alburycity.nsw.gov.au/www/html/196-event-details.asp?intEventID=1684

http://www.lividproductions.com.au/home/index.htm

or check out some of my previous posts on the subject.

Also Check out the mini interview of Director David Todd by News Weekly writer BLAIR THOMSON at http://www.awnw.com.au/a-knight-to-laugh-a-lot/

Spam update

Well hang in their folks, I am just putting the final touches on my review of Livid Productions' production of Spamalot- because I am in the library and being Gold Cup day there is only a limited amount of time...however here is something for those who need some info now;

- The show went off well considering it being opening night and assuming that this was the first time in front of a paid audience.

- There were still some technical problems, but nothing that the Entertainment Centre is not already known for, and the cast were totally professional in not letting the mishaps stop their performance- well done team!

- A few timing issues, and stage props issues, but nothing that did not work well or that the audience did not get a laugh at.

- The songs are strong and powerful, and when the whole cast is on stage it is quite engaging and entrancing.

- I am slightly disappointed I could not meet up with the cast afterwards- but most either have jobs or school the next morning- and just helps to highlight Livid's ability to draw great theatrical potential from the region- the fresh faces mixed quite well with the Livid regulars. I also did not get to catch up with the band, but well I got a free feed from some friends- free feed or wait in the cold for people who would probably have a party tonight or tomorrow- the weekend is the start of my week really.

- Book your seats- really the opportunity to engage in the hilarity of the show and the local cast is a treat, and would be a great ending for those finishing the races today. Giddy up, and head on down to the Entertainment Centre- and see a different kind of horse parade around on stage.

Looking forward to the full review.

Dale Stam

Spamalot nearly here, Spam, Spaming,

I have found that recently there has been a big increase in the number of people doing a search for Livid Production's upcoming production (redundant use of production there- that's 3) of Monty Python's Spamalot, which in itself was a stage production (4) adaptation of the film production (5)- Monty Python and the Holy Grail. However it brings in a variety of other references and songs from the Python production (6) catalogue, including the song that always gets people singing along- 'Always look on the bright side of life'.



Some of you are probably saying, I have not heard much from Dale about this production (7), and I mean it is just about here and what have you been doing with yourself Dale?! First off, calm down I have stuff to do, and second for better or worse I have heard very little about the show, they are keeping details close to their chest, but because I am awesome here are some little tidbits;



* The cast seems to be jelling together quite well, and have created a little community...- 'But that is what every community theatre production (8) creates?'- Well yes, but let me finish will

you;



- This show seems to be the cake that is starting to mend the fissure that had occurred between the two theatre groups with the cast being a mixture of both groups; and major discussions about auditions for AWTC.



Who would have thought that Monty Python would be the team to bring together two other teams, to create a production that will...'yes'...well the rest is a secret of the future.



* The sets, and the dances are set to be in line with Livid's usual theatricality.



* Laughter....I know that isn't really a secret, but hey once again close to chest.



I have kept my eyes and ears open, but Livid has decided not to use the possible marketing tool of my blog, and turned down my suggestion to do some behind the scenes of the show to build up the audience for it...but then we dear reader have to acknowledge that the majority of the readers of this blog are either already in the show, or were going to go anyway...so good financial decision, and hey the secrecy makes it more intriguing.



For those who don't know where to get tickets yet well here are some links for browsing;

http://www.alburycity.nsw.gov.au/www/html/196-event-details.asp?intEventID=1684

http://www.lividproductions.com.au/home/index.htm

or check out some of my previous posts on the subject.

The top one will also allow you to book in and pay for your tickets online...and are there still tickets available for the opening night- IE Tomorrow- well frankly yes...how do I know because I just purchased one, in aisle B seat 20, meaning that I am right near the stage, in the centre section, but still get the comfort of an aisle seat. I was also offered seats in the front row, centre so there is definitely seats, and good ones at that available.

For those who are sneaky or just plain awesome like me, you could even get in to see the production (I've forgotten where I am up to, 24601? Yeah that will do) 'bumping in', that is a technical term for when they bring all of their equipment from their secret lair- I mean rehearsal secret lair, and bring it to the stage, at this point the Albury Entertainment Centre, and then start to put it in, and let me just say, Livid does not disappoint, even with stage hands, and people moving stuff around, and others sitting or standing around (what, why aren't they helping- I don't know), you can still see the essence come through, as I believe Livid will to.

So stay tuned for a review!

Dale Stam