Tuesday, November 1, 2011

Carbon Tax Hyperbolic Worries and Reality


Carbon Tax Hyperbolic Worries and Reality

By Dale Stam 18/10/11

Part One


‘I don’t think we are in Kansas anymore’ Asked Dorothy, breathing rapidly after crashing her house through a giant bubble.
‘Well no little girl, you are in Oz, and I’m afraid you went and broke our bubble’ said a Munchkin quickly before taking a large breath.
‘Why do you have a bubble around the whole land?’ Inquired Dorothy.
‘Well Dorothy it seems the merry old Land of Oz has implemented a tax on Carbon to keep the technicolour bright.’


Whether you like it or not, it seems that we will be implementing a Carbon Tax, this article will focus upon 5 hyperbole worries leading from the introduction of this Tax and tie them into the reality that spanned them. Just keep in mind, it could always be worse.

1. Electricity only supplied during peak hours.
The worry:
Electricity prices are going to go up with this tax. Why? Because Australia has a lot of coal which is made up of Carbon. You can’t eat it, you can’t wear it, its surface area is minuscule so it can’t be used as shelter, you can however do two things.
A) You can draw with it. It is messy and expensive, but that is all irrelevant because it has artistic merit, or
B) You can burn it, and provide heat.
We have developed B so that it boils water, which produces steam, which turns a turbine that gives electricity.

Now during peak hours, the vast majority of people are home from work and demand electricity, so for your share during this busy period you pay a higher rate. This is the section of the bill that is the highest, because the system is under the most stress, however after this period then it will have a long rest where preparations can be undertaken. This is the most lucrative section for energy companies, they would be able to reduce the amount of coal needing to be burnt because they did not need to provide electricity during off peak, or the unimportant people hours. Also because energy companies would not need to burn our dinosaur pals to supply energy for the minority, then they would release less CO2 into the atmosphere, and thus get taxed less. At $25 per tonne companies would be looking at ways to decrease the upcoming tax debt, and if they do this they are not passing the costs onto you, the consumer. Its win-win right?

How reality is almost there:
Electricity in the form that we imagine travelling the wires, does not store all that well. It is impractical for energy companies to charge up car batteries and then distribute them to everyone for personal use, not to mention astoundingly expensive. Solution, build a giant battery, but remember when your favourite song is half way through and your MP3 player beeps off dead. Batteries do not last long, are expensive, and only return roughly 2/3rds of energy placed within. But this has not stopped Australia from researching; currently we have a few avenues;
* Super batteries - they have worked for us in the past so just keep going, but making them more efficient and cheaper.
* Superconducting Magnetic Energy Storage (SMES) devices, which would use the dual relationship of electricity and magnets to create a perpetual field. Downside, it requires energy input to keep the magnets at the required temperature (relative to the beyond freezing temperatures of liquid nitrogen) to create the high quality superconducting effects.
* Mechanical or energy conversion - such as the turning of a windmill or turbine which can then release electricity with a hypothetical flick of the switch.

All of these various avenues will eventually lead to a realistic system that can be implemented and sustained at a country wide level. Then if we can store electricity we can also choose when it is released. So what leads to more efficiency of the company to save the electricity that they will be taxed on producing because of the essential fuel to start the process, could lead to them passing on the costs to the consumer, or the more likely the increasing of costs all around that people can only afford to use electricity when they need it, which would fall usually within the peak hours. If they can release electricity whenever they want, and the eventual demand will be during peak hours, why pay to have it flowing out during off peak hours. Who uses electricity after 8pm anyway?

Stay tuned for the other parts in upcoming posts.

If you liked this article you might enjoy my other article on the Carbon Tax;
http://dalesnewsblog.blogspot.com/2011/02/carbon-tax-and-what-it-means-for-you.html

Or continue onto part two of the worry;
http://dalesnewsblog.blogspot.com/2011/11/carbon-tax-hyperbolic-worries-and_10.html

COW: Rumours around the paddock



Dear Readers,

For those of you who of course went and bought tickets to COW's inaugural production, The Exlir of Love, I have a juicy piece of gossip that you can stick your teeth into.

There is the possibility that the ANU Theatre Restaurant Vivaldi's and COW will be combining forces to create a unique theatre going experience in the Canberra Region. With an opera and an inspired 3 Course meal for a good price.

For you guys seeking a nice Seasonal get together with your significant other, this could be something that you should really start to look into.

Check their website for further information.
http://www.canberraoperaworkshop.org.au/

Also if you are in Canberra Saturday the 5th of November come down to the St Ninians Church in LyNeham. That is here guys...
http://g.co/maps/m8qr6

The COW will give their first public performance commencing at 11:30am.

Why so late? Well who said Opera is never spontaneous!

Come by and enjoy the St Ninians Fete and see some COWS moo.


Keep coming back to get further details.

Looking for more COWS;

http://dalesnewsblog.blogspot.com/2011/10/cow-up-and-mooving.html

http://dalesnewsblog.blogspot.com/2011/09/cow.html



Here is some information to catch you up.
Dates:
Evening: 8.00 pm Friday, 9 & Saturday, 10 December 2011.
Matinee: 2.00 pm Sunday, 11 December 2011

Ticket Prices
Adult$38.50
Youth (under 26 years) *$35.50
Child (under 17 years) *$33.50
Pensioner/Senior *$35.50
All check to see if the rumour is true- or if there are any choice cuts available.

For the booking information.http://www.canberraoperaworkshop.org.au/buy-tickets-now


Do you have any news on COW or anything that you think people should know about send me a message at dalestamatgmail.com




Plus Look we made a flyer, which you can turn into a hat, then you can sing 'Look I made a hat'.




A mention on the blog for those who can identify which musical that phrase is referring to.




Congratualtions Little One!

Well to follow up my previous comment, a brave poster by the name of Little One was skilled enough to find me within the group.

So to reward you for your detective skills, I give you the worlds greatest detective and his great advice.




Enjoy!



Dale

Saturday, October 22, 2011

Chapter One Complete

You might remember a while ago this post I made http://dalesnewsblog.blogspot.com/2010/10/writing.html, well I have finished the plot outline, and have commenced the actual writing of my huge inter-connected fiction collection.

Refresher, this is a large project that brings together characters and themes from a wide range of my writings, which includes short stories, poems, films and plays, tying them all into a work of fiction that will be broad and offbeat at the same time.

For further information please send me an email.

Dale Stam

COW up and mooving



Look at that smiling group, the COW is definitely on the Moove to making a dent in the Canberra theatre scene.

Since my last post the Canberra Opera Workshop had a lunch last week where they had a professional photographer come by and take a group photo, which includes me. Yeah I actually exist. They have added this photo onto their website and it has become a lot more interactive.

We are heading into the production schedule which will involve the actual stage craft, where we are under the esteemed direction of Cate Clelland, an active director and designer within the Canberra Theatre Scene for a while know. I look forward to digging my teeth into this section of the rehearsal in preparation for our performance in December.

One of the key developments of the website is the details for tickets are available.
Location: ANU ARTS THEATRE, UNIVERSITY AVENUE, ACTON, ACT

But Dale of the blog, with your News and Ideas thing I do not know where this is. Well I consulted with the mighty demi-god Google and they have blessed us with an answer to your query, as only Google can;
http://g.co/maps/33mc8

Dates: Evening: 8.00 pm Friday, 9 & Saturday, 10 December 2011.
Matinee: 2.00 pm Sunday, 11 December 2011

Ticket Prices
Adult
$38.50
Youth (under 26 years)*
$35.50
Child (under 17 years)*
$33.50
Pensioner/Senior*
$35.50

See below for the booking information.
http://www.canberraoperaworkshop.org.au/buy-tickets-now

Find out more about COW by looking at the Website;
http://www.canberraoperaworkshop.org.au/

Remember the COW is building a community and if you are interested in developing your singing skills, or if we have a Joan Sutherland, or Pavarotti out there, COW would be a group to start making connections with.

Also keep looking at the website so you can see more of me.

Feel free to leave a comment.
If you want to send me an message email dalestamathotmail.com

Dale Stam

While here look at some past posts.

Expect a new post in the near future.

Oh and a mention on the blog for those who can identify me from that photo. Happy hunting.



Did you miss previous updates in regards to COW? Find them below;
http://dalesnewsblog.blogspot.com/2011/09/cow.html

New to Canberra check out the following;
http://dalesnewsblog.blogspot.com/2011/05/garden-capital.html

Wednesday, October 12, 2011

So who’s presenting?

So who’s presenting?
5 Steps to present

By Dale Stam 12/10/11



Public speaking is a scary beast that can leap out of the crisp corridors of office life, and snatch up all the confidence you built since 9am. There are various methods for defence, some people tackle the monster first, others react after it has pounced, and there are still others who run away screaming.

I have given a few public presentations, felt the stares and the rapid heartbeat, but there are some tricks to help you overcome the beast.

1. Do not be paranoid.
Truth is all those people you stare out over, they actually want you to do well. They would rather be engaged then bored, and if you are able to make a good presentation, then they will associate you with somebody who they can not only understand, but whom they want to hear from.

2. Turn on the slow-mo.
It might go against everything in your body telling you to fly when giving a presentation, but one of the major factors in bad presentations is presenters who rush into things.

Take a breather, if anybody asks, you’re doing it for dramatic tension. Actors use it to grasp audiences, and teachers do it to hold the class. The speed of the presentation varies from person to person and from your pre-run timing to the actual presentation.
Remember that control like the actor and teachers comes from the pause, let them want more- it also gives you a moment to adjust to the stress.


3. Look to the horizon.
If all those eyes staring at you start to make you quake, then adjust your gaze to a higher plane, but not too high. Rest on the fringe, or the forehead, it appears you are looking at the audience but you gain less of the side effects from direct eye contact.

Hair does not stare, hair does not judge, and it is ready to be blown over by the power of your presentation.

4. Know your stuff.
If you know what you are presenting, then you are able to ad lib, and you gain a sense of confidence that comes with knowledge. Knowledge is power, as they say. This is often a saving grace of teachers, they take a breath as in number 2 above, taking in the scene, and decide whether to follow their lesson plan, or whether it is necessary to improvise to draw the class back in.

Impromptu presentations make this difficult, however try to grasp a handful of items and flesh them out, add a story, bring what you know.

5. You have got to speak to me.
One thing the audience does not want is monotonic reading, you have to present. Most universities and schools have students who will just read their work as their oral presentations. To shine you need to be different, you need to engage with the audience, make it stick. Use examples, stories, jokes, have props, diagrams, or audience interaction.

Some full time public speakers use a theme or metaphor that runs through their presentation. This allows them a path to come back to if they get lost, and can enable a through line for remembering the information and connecting with the audience. Using this method allows them to explore various techniques of engaging the audience and have fun, and so can you because you have a support structure to lean back on.

In conclusion, the audience wants you to do well, because they have been to so many bad presentations, they will be surprised by someone who is able to overcome this. Defeating your fear might seem difficult, but with practice and experience the fear subsides, and then you are the one who pounces.




Did you enjoy this article perhaps you might enjoy the following from within this blog;



Thursday, September 22, 2011

COW

Moo. Seriously moo. I do not need you to moo with me, just acknowledge it.

COW or Canberra Opera Workshop is a interesting little group that has come out of the woodwork in Australia's Capital territory to fill in a gap in the market. Sure there is musical theatre, which I have to admit is more my forte, and classical instrumental music, but lacking in the opera market.


David and Margot Reedy identified this gap and decided that they would throw their hat into the ring. Starting an opera group without Governmental art grants can be tricky, but they are pulling it off. Due in part to their different take on the auditioning process.

They advertised in local Canberra papers and the Canberra Community Theatre network website OftPrompt- congratulations to all who get that reference- Gold Star!. The advertisement stated that people were not required to audition. Shock, horror they must have been flooded with Talent Show contestents till their ears bled...well luckily not, and strangely the openess of this initial stage allowed for the group to allow for socialising and community forming, in contrast to the competitiveness I have witnessed elsewhere.

Their first performance will be the delightful comic opera The Elixir of Love by Donizetti. It will be held in the ANU Arts Centre Theatre in early December.

SPOILER! PLOT TASTE !

Little village, One slow man in love with an educated girl who enjoys the longing of the man.

She is going to marry a Sargent.

Along comes a salesman spruiking a product that will make women fall in love with him, and then let the comedy begin.

The music has a Gilbert and Sullivan like feel, and has some catchy tune with the casts voices sounding superb as they come to the end of their vocal rehearsals. You can feel the power of this company within the small church that they have been rehearsing in, and they all eagerly look forward to showing Canberra that Opera can still captivate.

Here is some information from their website.
The Canberra Opera Workshop (COW) has been formed to provide specialised training and opera performance experience for singers who are interested in opera.

Singers will follow the process from first reading, musical rehearsals, production stages, technical and dress rehearsals to the actual public performances. The workshop will also provide training work opportunities for conductors, musicians, costume and set design, construction, stage management, graphic design & publicity, stage crew and front of house.


Here is the bestest till lastest- the opera...is...(salivating yet)...in English. No more will you have to have a book of translation with you at the Opera just so you can understand what is going on. It is part of the immersive style that COW has implemented.

If you would like to find out some further information on the group, watch a rehearsal, interested in joining a future production, or want to know more about their upcoming show please use the following contacts:

Margot Reedy 0415 721 222 or e-mailing secretary@cow.org.au.
David Reedy on 62491831

Their website.
http://http://www.canberraoperaworkshop.org.au/

They are Facebook
http://www.facebook.com/pages/Canberra-Opera-Workshop/233211193361441?sk=wall

Dale Stam